Here’s a piece I recently wrote for the always informed The Conversation in response to criticisms directed at BAFTA award-winner Peter Kosminsky’s Channel 4 drama series, The State. You can read the piece in full by clicking here.
The first few paragraphs are reproduced below:
Channel 4’s The State: disturbing and accurate reminder of idealism gone wrong
It seems quite unfounded that Channel 4 has had to defend its new four-part drama, The State. The series – written by BAFTA award-winner Peter Kosminsky – follows two British men and two British women who decide to go to Syria and join Islamic State. Encouraged to forget their past lives in the UK in favour of living segregated lives where the men are taught to fight and the woman become their chattels, the series is as compelling and gripping as it is disturbing and discomforting.
It is also the most accurate dramatisation of what life would appear to be like living under the Islamic State to have been produced to date.
Nevertheless, one should be unsurprised that the drama’s subject matter would earmark it for criticism. Christopher Stevens in the Daily Mail describes the drama as “pure poison”. While framing criticisms within the context of the Mail’s regular enemies – liberals (Kosminsky), publicly funded broadcasters (Channel 4), and political correctness (the alleged “racism” shown towards the white people joining Islamic State) – three themes emerge that need refuting.
The first is whether the drama accurately represents what life might be like under Islamic State. From what is known from personal testimonies of those who have either returned from fighting in Syria and Iraq or suffered at Islamic State’s hands, the drama would seem to ring true.
You can continue reading by clicking here.