As if perfectly scripted, so the tragicomic death of Jade Goody coincided with the publication of OK! Magazine’s ‘Jade Goody obituary edition’: an obituary edition that was published before she actually died. Surely a ringing endorsement to the media handling of Max Clifford and the ongoing ‘exclusives’ agreed with OK! Magazine and the Living television channel (an irony surely) that these two events blended so seamlessly.
Seamless and choreographed in much the same way that much of ‘The Truman Show’ was (see earlier post here). In the film, the star of the show – Truman Burbank – finally unlocks the door to escape the world created for him and so ridding himself of the constant gaze of the cameras. In many ways, the door is a metaphor between the ‘real’ and ‘un-real’ worlds that we choose to inhabit. For Jade, and unlike Truman, she chose not to open the door. Instead, she chose to firmly lock it from the inside, never wanting to escape nor wanting the cameras to be turned off.
Continue reading ‘The Essex Princess: ‘In the midst of life we are in debt…’’